In this “planning” scene, we are offered a tour of the house from high angle shots. In our diagram, we broke down the scene where Tony choreographs his wife’s murder in extensive detail with Captain Lesgate. The floor plan of the home becomes a crucial element to the narrative of the film. The planning of the Margot’s murder, which is orchestrated by her husband, Tony the murder attempt itself and the aftermath, where character’s repeatedly reenact their interpretation of the events. The film essentially focuses on three key events within this space. In three shots, the director suggests that this space, their family home, will become the arena for marital conflict.ĭavid Bordwell has observed that only five minutes or about 6% of the entire film take place in locations outside of the house. These images contrast one another and speak to the narrative of the film both are set within the space of the home. The following image is of Margot and Mark embracing. The wife then lifts her eyes off her paper and cautiously scans her husband’s face, as she discovers her lover, Mark (Robert Cummings) has arrived into town. The opening scene of the film is of Tony and Margot, husband and wife, kissing. In Dial M for Murder, he sets his film in a London apartment, focusing on the complex relationship of a husband and wife. The film, however theatrical in this regard, is made cinematic in its exploration of space and its use of 3D.Īlfred Hitchcock had previously experimented with narratives that confined its audience in a single location, with films such Lifeboat (1944) and Rope (1948). Tony (Ray Milland) asks that Margot (Grace Kelly) call him during the intermission of their show later, we have our own intermission after she has successfully killed Captain Lesgate (Anthony Dawson).
There is even an “Intermission” between the two acts. The majority of the action in Dial M for Murder place within a single location, as characters perform in long, unbroken takes. This was a 3D camera rig that was used on a number of 3D films during this time period.ĭial M for Murder became a visual exercise for the director he experimented with style and technique, using a camera that Grace Kelly described as being “the size of a room,” and added a cinematic touch to the theatrical quality of the film. The film was photographed by Robert Burks using the Natural Vision 3D camera process that was developed by Milton Lowell Gunzburg.
Dial M for Murder is now remembered for its experimentation with 3D and its inventive use of space. Alfred Hitchcock would later comment on 3D by saying, “It’s a nine-day wonder, and I came in on the ninth day.”ĭial M for Murder was eventually overshadowed by Rear Window (1954), arguably one of the director’s greatest achievements, which was released a few months later. The film eventually opened in 2D and most audiences saw the film in its flat format. Also starring Christopher Harper (Coronation Street) this ultimate masterclass in suspense is guaranteed to entwine you with its spine-chilling twists and turns.In May 1954, when Dial M for Murder was finally released, audiences and studios had lost interest in 3D. Made famous by Alfred Hitchcock’s world-renowned film of 1950, the iconic Dial M for Murder will leave you spellbound as Tony becomes more tangled in the web of his own making. When he discovers she has been unfaithful his mind turns to revenge and the pursuit of the ‘perfect crime’.
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TV and stage favourite, Tom Chambers, (Top Hat, Strictly Come Dancing) stars as the charismatic and manipulative Tony Wendice, a jaded ex-tennis pro who has given it all up for his wife Margot, played by Diana Vickers, West End star ( Little Voice), no.1 chart-topping recording artist and The X Factor finalist. Synopsis THE GENRE-DEFINING THRILLER FOR ALL TIMEĬan you ever get away with the perfect crime?Ī brand-new production of the blueprint for the modern thriller, Dial M for Murder is back.
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